Family-run since 2019
A grounded evening disco service for weddings, clubs, family parties, schools, pubs and community halls across West Yorkshire. Mark brings the sound, booth, lighting, microphones and the calm habit of checking the practical things before anyone arrives.
What Gets Brought Into The Room
A standard Amazing Tonigh disco arrives as a complete operated set-up: main speakers sized for the room, a clean DJ booth, laptop and controller system, dance floor lighting, microphone, power distribution, taped or ramped cable runs where needed and the small repair box that stops a loose plug becoming the story of the night.
For weddings, Mark will normally plan the room around the first dance, speeches and the point where guests start moving from tables to the floor. Lighting is kept useful rather than frantic. There is enough movement to lift a room, but not the strobe-heavy look that makes grandparents and venue managers nervous.
Pete looks after the practical checks: back-up speakers, labelled leads, spare fuses, PAT labels and the habit of packing a second microphone even when the first one worked perfectly at home. Public liability insurance is held to £10 million and PAT records are available to venues on request.
Three Common Bookings
Wedding Evening
Five hours playing time with early set-up where possible, first dance edit, wireless microphone for speeches, booth, lighting and a written timings sheet.
Family Party
Classic mobile disco, four hours playing time within 15 miles of Wakefield, including sound, booth, basic dance floor lighting and one planning call.
Lighting Only
Room uplighting hire with 12 battery uplighters set to one colour and collected at the end of the night. Twenty uplighters are £260.
Mark’s note
People sometimes think the job is mainly pressing play, talking loudly and owning lights that move. The better nights are the opposite. Most of the work is done before the first song: checking the finish time against the licence, knowing where the speeches sit, having the first dance edited properly, reading the age range from the request list, finding out whether the venue has a sound limiter and leaving enough time to bring the kit in without barging through guests in suits. Once the room is full, I try to talk only when it helps. A good disco should not feel like someone showing off over the top of your family. It should feel like the room found its own pace, from the early Motown and indie requests to the last half hour when the aunties, mates from work and cousins have somehow agreed on the same song.